Showing posts with label Clarence Reid. Show all posts
Showing posts with label Clarence Reid. Show all posts

3/15/2008

Betty Wright - Explosion....!!





Keep Feelin'

Betty Wright - Explosion !! - RCA RS 1063 (1976 UK) TK US

Open the Door To Your Heart; Do Right Girl; I Think I Better Think About It; Smother Me With Your Love; Don't Forget To Say I Love You Today; Keep Feelin'*; Rock On Baby, Rock On; If I Ever Do Wrong; Bluesville; Life
Produced by; Willie Clark*/Clarence Reid/Seth Snyder

When you first look at the cover art you think 'Oh no it's a live album' but far from it, not that Betty isn't good live (she's actually a knock-out!). The musicians of this album are TK's finest like: guitars; Little Beaver, Snoopy Dean & Milton Wright, Keyboards, Timmy Thomas & Latimore.

The track I pulled today I've slowed down by -2 is Keep Feelin', written by herself and Willie Clarke. It's the horns that are the hook on this song and they do it very well with the help of Mike Lewis.

Nearly all Betty's albums contain some stunners. She gone though some labels in her years; Atlantic, TK, Epic and now has settled with her own Ms B label.

Other fine tracks on this set are Smother Me With Your Love, Bluesville & Do Right Girl. All these tunes I would regulary play on PCRL in Birmingham along with dj's Lady Cherry & Tony Roots.

11/02/2007

Betty Wright - My First Time Around



Betty Wright - My First Time Around - Atco SD 33-260 - 1969

Girls Can't Do What The Guys Do; Funny How Love Grows Cold; I'm Gonna Hate Myself In The Morning; Circle Of Heartbreak; Sweet Lovin' Daddy; Cry Like A Baby; Watch Out Love; He's bad bad Bad; I Can't Stop My Heart; I'm Thankful; The Best Girl's Don't Always Win; Just You


Produced by: Clarence Reid



Girls Can't Do What The Guy's Do

Clarence Reid and Willie Clark launch The Miami queen of soul Betty Wright with he first album at the tender age of 16 in 1969 (Just Like Joss Stone's Launch). Girls Can do What The Guys Do is a nice little early 2Step production that came out before Reid's own album of the same year.
Clarance Reid plays the piano and organ on the album and as the sleeve note says Henry Stone signs the checks. (cheques UK readers) The album was up against people like Aretha Franklin at the time and really didn't stand a chance, I'm thankful was quite good and although the Reid Sisters gave her a nice earthy sound her version of Cry Like A Baby sounds better now than then.

Wright to co-penned a couple of the songs as well, a good start for a 14-year-old and showed their may be more to come.

Betty Wright had won a singing competition on a local radio station and won a prize record and while in the record store collecting it had been discovered singing along to a tune in store by Willie Clark . So she went with them to a studio and recorded Mr. Lucky that Willie had wrote and Good lovin' were singles on Deep City Records and Lucky was a hit in Southern Miami.



Circle Of Heartbreak  (short edit)
It was three years after I did this Blog that I heard 'Circle Of Heartbreak' played-out at a Soul nite. So I added this paragraph. I had not noticed before what a great Latin feel this song has. It's hard to tell it's Betty because her voice is still quite young sounding but I thought I should add it to this Blog as it's on this same album.

Born September 21, 1953, in Miami, Florida, influenced a generation of female singer-songwriters and also influenced the world of hip hop, who sampled some of her more famous material. Born singing gospel with the family group, the Echoes of Joy, Wright began switching to R&B music in 1965 when she was only 11. In 1969, she released her first album, My First Time Around, at the age of 16, and scored her first hit, Girls Can't Do What Guys Can Do.

But it was not until the end of 1971 that Wright's most successful phase of her career took place.
The song, Clean Up Woman, became a Top 5 pop and R&B hit, and would later influence a remix of Mary J. Blige's Real Love single with the sample of its guitar riffs; R&B girl group trio SWV's I'm So Into You also featured a sample from Clean Up Woman, as did Afrika Bambaataa's song Zulu War Chant, and Sublime's Get Out! remix. Beyonce has sampled Girls Can't Do What The Guys Do for her hit Upgrade U. In 1974, Wright scored big with the songs Tonight is the Night (about a real-life love affair that happened with Wright when she was a teenager) and Where is the Love (which won her a Grammy for Best R&B Song).

After experiencing a brief slump in the early 1980s, she rebounded founding her own record label, Ms. B Records, and in 1988 made music history by being the first woman to have a gold record on her own label, with the release of Mother Wit, which featured two of her biggest hits in years, No Pain No Gain and the After The Pain. On both songs, Wright displays her powerful upper register capabilities and seven-octave range.

By 2001 a compilation album The Very Best of Betty Wright was released, along with her first studio album for several years, Fit for a King.
Still recording music to this day, she now mentors several young singers, and has done vocal production for the likes of Gloria Estefan, Jennifer Lopez and Joss Stone.

Betty Wright collectables are; Good Lovin/Paralyzed (Deep City 2378) £172 & Man Of Mine (Alston 3736) £60 1977. The above album and the Clarence Reid album are now on CD and as usual I have vinyl for sale.

Clarence Reid - I've Been Trying




I've Been Trying
Clarence Reid - Dancing With Nobody But You Babe (Atco 1277) 1969
Nobody But You Babe; Twent Five Miles; Doggone It; Get Back; Don't Look Too Hard; I've Been Trying; Tear you A New Heart; Part Time Lover; Shop Around; Fools Are Not Born; Polk Salad Annie; Send Back My Money
Produced By: Clarence Reid

On this November day we have a Curtis Mayfield song from the Clarence Reid album Dancin' with Nobody But You Babe. I've Been Trying was recorded at the Zoo Recording Studio, in Miami Florida, arranged & produced by Brad Shapiro and Steve Alaimo, with supervision of Henry Stone who was to be the owner of TK Records but at this time a part of Alston Records. Atlantic Records licenced the album and put it out on Atco in 1969. The cover photograph is a very tacky Miami bar scene taken by Bob East. There are also two Northern type dancers contained within; Part Time Lover, Fools are not born, both Reid songs. I just love the backing vocals on I've Been Trying, provided by the Reid Sisters also, Wayne Jackson & Floyd Newman (The Mar-Keys) provide the horns.


During the late 60s and through the 70s, Clarence Reid, singer, songwriter, talent scout, and producer for Henry Stone’s labels, was involved in just about every recording that came out of Stone’s studio. Reid teamed up with Willie Clarke, a fellow Miami songwriter and producer.

They decided to pay legendary South Florida record producer Henry Stone a visit. Stone, who had been turning out hits for years, decided to take Reid and Clarke under his wing and show them how to make hit records. Reid and Clarke, determined to make hit records, spent hours learning the ropes from Stone, which paid off for everybody concerned.

As talent scouts, it was Reid and Clarke who first discovered a 12-year-old singer named Betty Wright in a Liberty City record store in 1966. During the next 10 years, Reid released countless singles for Stone’s Alston label. It was Reid and Clarke who penned Betty Wright’s 1971 No.1 R&B single Clean Up Woman, Reid and Clarke wrote Gwen McCrae’s No. 1 R&B single Rockin’ Chair.

During the 70s Reid went underground, only to resurface as masked recording artist Blowfly, writer and producer of highly X-rated party albums released on Stone’s Weird World label.
Photos; Album Cover, Henry Stone & Betty Wright (aged 14)